The Simple Art of Murder

The Simple Art of Murder

What did I think of The Simple Art of Murder by Raymond Chandler?

Overall, I liked it. It was worth reading if only for Chandler’s essay of the same title of this collection of short stories published by the Atlantic in 1950. It appears at the beginning of this book.

I am fan of this style of writing. Some may call it pulp fiction. Perhaps, hard-boiled? I suppose it is similar to comparing bare knuckle fighting and boxing under the Marquis of Queensbury rules. Chandler’s style, and those like him, is down and dirty, and supposed to be realistic. Indeed, in his essay, he writes: “Fiction in any form has always intended to be realistic.” He was writing in the context of denigrating the old-fashioned British-style mystery. I do believe he had a point.

These short stories are, I guess, realistic of the time and place they were set in: 1930’s Los Angeles. Reading them now in 2020, they are a microcosm of society and its attitudes in those times. His stereotyping of black and Asian people is something that would not be tolerated today, and rightly so. But if the reader can get past all that, these are stories that bring to mind old black and white movies full of characters wearing hats and mink fur coats (men and women), smoking cigarettes, slurping hard liquor, and of course toting guns or should I say “gats.”

They were all okay but no more than that. They tended to become a bit tiresome in that they covered the same types of characters but different names, and slightly different story. However, I am looking forward to reading The Big Sleep to see how he writes in a full length novel. I also vaguely recall seeing the movie so many years ago.

I pose an interesting question about Chandler and his “realistic” style. I really do wonder just how “realistic” his dialogue was. Did folks really talk like that back then? Or is it yet another case of life imitating art found in books and movies?

I mean, how would Chandler really know how tough guys and their molls talked? He became a detective fiction writer at the age of 44 after losing his job as an oil company executive. Prior to that as a British-American, he was a British civil servant then fought in WW1 with the Canadian Expeditionary Force, before undergoing flight training in the fledgling Royal Air Force (RAF) when the war ended. In 1919 he returned to America and by 1931 Chandler was a highly paid vice president of the Dabney Oil Syndicate.

Food for thought??

Operation Julie Latest Developments

Operation Julie Latest Developments

Some of you with sharp eyes may have noticed the recent changes to my website. For example, I have included contact details for my literary agent.

Indeed, I now have an agent and he negotiated a book publishing deal on my behalf with Penguin Random House UK. The Ebury imprint of PRH UK will be publishing my Operation Julie memoir probably in early 2022 to coincide with the anticipated release date of an Operation Julie TV multi- part documentary.

Ebury has the publishing rights for my memoir in the English language for the United Kingdom, Europe, Australia, South Africa, and Commonwealth countries. I still retain the rights for the USA, Canada, and other countries too many to list here.

I have no further details of that documentary right now and I’m not permitted to release any further information in any event.

The proposed feature film (separate from the documentary) based on my memoir is still in development, but the production company is exploring the possibility of turning it into a drama TV series with as many as eight episodes.

It seems the current state of the UK film and TV industry favours TV series over full-length feature films aimed at cinema audiences. That may come as no surprise seeing the worldwide pandemic has drastically altered the way we live and seek to be entertained.

You should consider joining my mailing list to be first in the know about any of these projects.

So, I guess you can now say I’m a traditionally published author. That wasn’t an easy decision to make because as an indie I had full control over all aspects of my books including marketing. But the traditional route makes sense as regards my undercover cop memoir. Together with the media tie-in, it presents greater opportunities for publicity. Time will tell, so again, watch this space or even better, sign up for that mailing list.

The rest of my books are still indie books and will almost certainly remain so. That’s why I’m a member of the Alliance of Independent Authors. However, the Penguin Books contract enabled me to also join the UK’s Society of Authors and the Crime Writers’ Association – the links to those organizations can be seen in the sidebar.

I mentioned “sharp eyes” at the beginning. How many of you spotted the new version of my memoir on Amazon?

 

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